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Supporting three executive producers required me to stay on top of every moving piece. 

I directed their weekly schedules, ensuring smooth coordination across departments, while also securing media assets between studios and meticulously maintaining production records to prevent any loss or misplacement.

The role called for adaptability; kept me sharp and ahead of the curve as I:

(1) developed reference materials for treatment decks and spec scripts 

(2) prepared production documents for shoots in Los Angeles and Costa Rica 

(3) built an internal newsletter on the latest camera technology to keep the team informed. Every detail mattered, and my contributions helped shape the overall success of our projects, ensuring nothing was left to chance. 

One of my key achievements was negotiating a Dolby Atmos contract 20% below the production budget. By researching potential vendors, creating detailed comparison reports, and negotiating terms, I balanced cost with quality, ultimately saving the project significant funds.





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